武士的英文译语怎么说

Thedeepanalysisof‘sevensamurai’

KurosawaAkira,asaworldfamousdirector,

productionshadwornlotsofworldclasswa饮中八仙歌原文和翻译 rdandhavewidelyanddeeplywelcomedby

orninasamuraifamily,

thatperiod,studentsinJapanwere

sdeeplyaffectedbythe

wasachild,Kurosawa

showedgreatinterestinpainting,whichlaidastrongfoundationoflightutilizationforhisfuture

hadwitnessedthehugeanddramaticchangeinJapan,fromasemifeudalcountrytothesecond

sehaveinfluenceinhislatercreationoffilmdirecting.

Inthispaper,hismovie‘sevensamurai’wasanalyzedfromthecharacterbuildi秋思 李白 ng,narrator

methodandcinematictechniquestoseehowKurosawaapplieddifferentskillstoachievesucha

successfulfilm.

Inseven鲲鹏展翅九万里对下联 samurai,resmartandexperienced

samuraiwhoactsastheleadofthesevensamurai,ischaracter,thegood

becamearonin,hestillinsistedtheheartofa

sttimeKambeiappeared,

sethimathoughtful,skilled,hebackgroundofthefilm,sengokujidai,

cameronin,hestillpossesstheallthegood

domalso

presentedbyhisdefensestrategiesandarrangementwhenfacingthebandits.

metKambei,

istencehelpedhimfinallybecomeoneoftheseven

a

hadaromanticrelationshipwithafarmer’akencarebyKambei,

yKambeijustasked

eclothes,itcouldbeeasilytoldthat

isfamilystillworkedforalord.

Therewasascene,stheonly

uchahardtime,moneyissorareamongthe

bottomlevelofthesociety.

spresentedbyhisfirstappearance

inthemovie,t,tbefore

thedeparturetothevillage,ilentperson,onlyfocusing

rtostrengthenhischaracteristics,whenhemadeavitalcontributionto

theteam,hesaidnothing,justgavethegangtoKambeiandthenfellasleep.

entedtheroyaltyof

edsimilarpersonalitiesasKambei

s

imilarcharacteristicsasGorobei,likegoodteamplayer,

cleverandplayful.

domwas

hefirstsamuraiwhoenteredtheKambei’ssamurai

n,hiswaspresentedby

interactionwithHeihachi.

farmandlookingforwardthebushi’slife.

However,whenhefoughtwithothersamurai,herealizedthatevenbushisometimescannot

ionandwordswere

thereasonbehind

tooktheb孔子的名言名句大全 aby

fromwisdomelder’sdaughterinlaw,hecriedandshoutedthatthebabywassameashimbefore.

shisactionandwords,the

hemost

hadtheweaknessoffarmers,selfish,eagerforpersonalbehaving,as

alsoinsistence,optimistic,heonlyperson

lyspeaking,thischaracterreflectedthedoubtfrom

sawthedeathofGorobei,hewasshocked

andrethoughthisbushido.

Ittookonethirdofthefilmlengthtointroducetheappearanceandthecharacteristicsofseven

sthebravesamuraicharacters,somefemalecharacterswerealsopresentedtothe

refourtypicalfemalecharacterthewifeofrikichi,thedaughterinlawofthe

wisdomelderinthevillage,thedaughterofManzo,

femalewhhiro

oorfemale,

whenonebanditwascaughtbythevillagers,sherantotherewithherwalkingstickandwanted

herevengewasthemotifforhertolive.

eheard

herfatherinlawstillstayinthewaterfillhishouse,shecarriedherchildwenttotherewithout

her’sinstinct,whenshewasshotbybandit,shedidnotdeaduntilshesenther

ravemotherimagereflects

Kurosawa’sideaaboutmother.

Thhiroand

ingtothelawofJapanatthattime,theyarenot

r,

timethatKat

oughtthenext

daymightbethelastdayoftheirlife,eristhe

anopenendingattheendofthestoryfortheromantic

hirohesitatedtoleavevillageandstaredat

tladyIwanttoanalyzehereisthewifeofRikichi,aladybeingkidnappedbythe

edthosebandits,butwithsomereason,r,when

shehadachancetoescapefromthebandits,hattime,she

couldnotfaceherhusband,flectedacommonthoughtatthat

time,aw

morethingIwanttomentionherewasthatthisfemalejustappearedinseveralsecondswithno

mherexpression,actionandthereactionfromherhusbandintheprevious

communicationwithkikuchiyo,awholestoryaboutthisfemale’

descriptionoffarmer’stoughlifemightbetheideafromJapanesepeople’slifeinpost-war

period.

Besidesthecharacterbuilding,en

an3hoursfilmdoesnothaveone

llythemoviecanbedividedinto3parts,lookingforappropriatesamurai,

preparationforfightandfightingwithbandits.

Thefirstsceneofthefilmclearlystatedthetimethatthefilmtalkedaboutandthehardtimeof

peopleliving,eithersamuraiorfarmers,ebeginningofthestory,the

villagersgotinformationaboutnexttimeofbandits’iscussionofwhetherseek

helpfromsamurais,asthe

representativeofthosewhowasafraidofsamuraiandheldaviewofappeasingthebandits.

Rikichiwastherepresentativewhoadvocatedforaskinghelpfromthesamuraiandfightwith

aterstory,KurosawadescribedthestoriesofManzoandRikichi,whichcould

helpaudiy,the

eldermaledecidedtohiresamuraitoprotectthem,evillager

wentouttofindsamurai,samuraicame

tothevillage,ManzocuthisdaughterShino’sthe

theirpersonalities

stconflictbetweensamuraiandfarmerswereappeared

evillagersaskedhelpfromthem,buttheydonot

ondtimeoftheconflictbetweenfarmersandsamuraiwaswhen

nflictalmostlead

tothewordfromKikuchiyo,

iyocomplainedaboutthecunningandguile

ofthefarmers,healsoc恬不知耻是什么意思 omplainedaboutwhatsamuraididbeforeleadtothemisunderstanding

betweenfarmersandsamurais.

Sincethefightsbetweenbanditsandvillagersarechaos,inordertohelptheaudiencehelpthe

progressofthefight,amapwiththenumberofbanditsleftwereshownaftereachfightfinished.

vocatedfortheharmonyand

ndofthemovie,villagerswerefarminginthelandhappily

r,whendealingwiththosethreealivesamuraicharacters,Kurosawa

becausethebushidohasr审时度势什么意思 ootedinKurosawa’s

feltthedilemmaofsamuraiwiththeappearanceofthernal

weapons.

ingasimplestory,countlessdetailsinthemovie

tiontothenarratormethod,professional

cinematictechniquesplayavitalroleinthecompositionofsuchasuccessfulfilm.

noteofthemovieisgreywhichreflectsthe

wawasgoodatusingdifferentlighttoshowthe

ntingexperienceinKurosawa’schildhoodcontributeda

ngisanartwhichneedtoconsiderlightandtakeuseofthelightand

st

sceneofthewisdomelderwasscreenedundertherembrandtlightingtechniquewhichwas

r,whenthe

misunderstandingbetweensamuraiandfarmerappeared,samuraiandvillagercametothe

elder’wadidnotuserembrandtlightingtechniquehere,sincetheelderalsohad

isdomrepresentativelightdisappearedhere.

Kurosawadidnotonlyusethelighttobuildthecharacter,butalsoutilizelighttoexpressthe

backlightvide

eginningofthemovie,whenthebandits

attackedthevillage,eoutlineofthebandits

susingbacklight,healsoputthe

horizononthemiddleofthescene,seachievedasuccessful

andclassicshockvisualscene.

Besidesthelightutilization,Kurosawa’sanotherstrengthisusinglenslanguagetotellthestories

rtogeneratefearorpresenttheshootingsubject’s

dominantplace,

sceneofthebanditsfirstappearance,sridingon

uldgiveaudienceafeelingoffearand

tseveralminutesofthe

film,Kurosawausedcontinuousscenechange,fromlongshottoclose-upshot,totelltheoverall

agers’waytoaskwisdom

elderfordecision,egroundisthefencemadefromstrew

andtrunk;mediumiswalkingvillager;signed

wergrowingonthefenceintheforeground

impliesthehopeofthevillagers.

Whenitcametothesceneofthewisdomelder’shouse,Kurosawafocusedonthemill’swheel

l’wausethis

mill’swheeltotellaudiencetheimportanceofthatwisdomelderinthevillage.

appearedwhenfourvillagers

nyweatherrepresentedtheir

flectedthelasthardtimebeforetheir

susingweather

characteristictorevealtheatmosphere,Kurosawaisalsogoodatus口技教学速成教程 ingweatherorother

iedthesetechniquestokeepaudience

asonerainyscenethatkyuzowas

ementofrainwasvertical,whilethemovementofkyuzoandhis

trastbetweenthesetwomovementscouldgiveaudiencea

pleasingvisualex干涸的近义词 periencewithintheframe.

Inthefuneralscene,Kurosawaagainappliedthewindandsmokemovementasacon眉眼盈盈处的上一句 trasttothe

appliedhistypicalcharacteristicsin

eramovedfromlongshotofthecrowdtothe

way,he

createddynamicsinastaticsituationandsinceheendedwithacloseshotofthesamuraiwhich

createdalongsilentatmosphereinthefilm.

Inthelastfightbetweensamuraiandbandits,vea

egroundswere

madeoftrunks,deadpeople,ementoftheforegroundcutapartthesceneand

rangementcreatedthemysteriousofthewar.

Twoslowmotionvideousedinthemovietoextenttimetopushthedevelopmentofthestory.

low

motionvideoalsopresentedaudiencethecoreofbushido.

Fromthefilmofsevensamurai,s

that,thankstothegreattalentandinterestsinpainting,thesceneofhisfilmleftaudiencegreat

tiontothat,asatoplevelfilmJapanesedirector

aroundtheworld,hedidintroduceaneasternculturetotheworldthroughhisbushiseriesfilms.

Actually,fromhisfilm,eretwoswordmeninthe

sevensamurai,ghlotsof

scholarssaidkyuzohadastereotypeinthehistory描写夏天的成语 whowasMiyamotoMusashi,personally

speaking,KyuzoandshichirojiweretheshadowofKurosawa,whostudiedkendosincehis

escendantofasamuraifamily,hehaddirectedlotsofmovietalkingaboutthe

samurai’eriencesofthesamuraicharactersinhismovieweredifferent,butasan

audience,lsoproud

ofthespiritofbushido,lierfilms

wereprofoundconsiderationofthesocietyatthattime,especiallythepostwarperiod,when

peopleseemedtobenumbonalmosteverything.