mighty是什么意思hty的用法读音典

Ozymandias

PercyByssheShelly

Imetatravelerfromanantiqueland,

Whosaid----“Twovastandtrunklesslegsofstone

Standinthedesert.…Nearthem,onthesand,

Halfsunk,ashatteredvisagelies,whosefrown,

Andwrinkedlip,andsneerofcoldcommand,

Tellthatitssculptorwellthosepassionsread

Whichyetsurvive,stampedontheselifelessthings,

Thehandthatmockedthem,andtheheart,thatfed;

Andonthepedestal,thesewordsappear:

“MynameisOzymandias,KingofKings,

Lookonmyworks,yeMighty,anddespair!

hedecay

OfthatcolossalWreck,boundlessandbare

Theloneandlevelsandsstretchfaraway.”

奥兹曼迪亚斯

我遇见一位来自古国的旅人

他说：有两条巨大的石腿

半掩于沙漠之间

近旁的沙土中，有一张破碎的石脸

抿着嘴，蹙着眉，面孔依旧威严

想那雕刻者，必定深谙其人情感

那神态还留在石头上

而私人已逝，化作尘烟

看那石座上刻着字句：

“我是万王之王,奥兹曼斯迪亚斯

功业盖物,强者折服”

此外，荡然无物

废墟四周，唯余黄沙莽莽

寂寞荒凉，伸展四方。

（杨绛译）

PS：英国文学讲到浪漫主义时期了，讲到JohnKeats的诗歌了。

这意味着让我头疼的诗歌部分终于要告一段落了，天知道我有多么

厌恶英诗，我实在不知道它们好在哪里。我没有耐心去赏析它们，

在我的眼里，它们全被术语化，留给我的只有stanza,verse,foot,

lyricrhyme.虽然每次老师要做诗歌分析欣赏的时候我都能讲出点

东西来，但是我真的对英诗很不感冒。

这首诗是PercyShelley的，我想了两个星期了，还是没有找

到老师所说的这里面的paradox。我可以看出这首诗想说的是什么，

也可以找出irony，但是真的不知道哪一句是paradox。想了两个星

期，我都要怀疑老师是不是耍我们的了。真是让人沮丧。

最喜欢那句“Iamthekingofkings”了，显示出了无限的

傲气与目空一切的自信。虽然Shelley想用石碑上的话和现今比照来

说明国王的傲慢与自大，想显示其愚蠢，因为最后他所建立的功业

全都归于尘土。Shelley想说自负的人类想要不朽都是可笑的，谁都

无法抗拒时间和历史，只有艺术才是不朽的。但是我还是很欣赏国王

奥兹曼迪亚斯的狂妄。

AnalysisonOzymandias

Aswereadthepoem,apictureofdesolationandruinsformsitselfinourmind

s,animagedepictingadecayingstateinthemidstofthebarrenwasteofthe

desert.

OzymandiasistheGreeknameforRamsesII,thepowerfulrulerofEgyptduri

ngthethirteenthcenturyBCHeruledforover60yearsandbroughtgreatpro

lsoextremelyvainwithrespecttohis

deeds.

Thefaceofthestatueembodiesafrown,wrinkledlip,anda“sneerofcoldc

ommand”,Shelleyseestheseemotionsascharacterizingpeopleinpoweras

“itssculptorwellthosepassionsread”.Thesculptorcorrectlyinterpretedthec

haracteroftheking,theoneinpower,hthesc

ulptor,onegreatw

r,

ndrenowndon’edhimselfthe“kingofkings”butlikeallot

herkings,hewaspopularforawhileandthenforgottenwhenthenewkingca

meround.

Asthe“twovastandtrunklesslegsofstone/standinthedesert”,theysuppo

rtnothing,whichisallthatremainsofthe“kingofkings”

furtheremphasizedas“hedecay/ofthatcol

ossalwreck”thereexistsnothingbut“thelongandlevelstands”Theoxymoro

nof“colossalwreck”againestablishestheoncegreatpowerofthekingtoha

tuelikethekinghadbeengreatandimpo

sing,colossal,butintime,theking’spowerandmemorywereburiedalongwit

“shatteredvisage”ap

pears“halfsunk”,againsymbolizingthememoryoftheoncemightykingtob

ayedstatueshowsthefutilityofOzymandia

s’ksdidn’tinciteanyonetodogreaterdeedsthanhehaddon

tsurvivesarethosepassionset

chedonthefaceoflifelessstone,sowecanunderstandthattimewillobliterat

eallmemoryofthegreatrulerandhisworksjustasthedesertwilldotothest

atue.

irst

partofit,strongdescriptivewordssuchas“sneer”,and“coldcommand”are

enotpleasant,thosereadingthepoemcanclearlysensethe

atterpartofit,wordslike“barren”,“decay”

and“lone”evokeonlyfeelingsofnothingness,waste，

andthesadeffectoftime.

奥西曼提斯

客自海外来，曾见沙漠古国有石像半毁，唯余巨腿蹲立沙砾间。像头旁落，半

遭沙埋，但人面依然可畏，那冷笑，那发号施令的高傲足见雕匠看透了主人的

心，才把那石头刻得神情唯肖，而刻像的手和像主的心早成灰烬。像座大字在

目：“吾乃万王之主也，

盖世功业，敢叫天公折服！”此外无一物，但见废墟周围，寂寞平沙空莽

莽，伸向荒凉的四方。

王佐良译

OZYMANDIAS

byPercyByssheShelley

Imetatravellerfromanantiqueland

Whosaid:\"e

monthesand,Halfsunk,ashatteredvisagelies,whosefrownAndwrinkledli

pandsneerofcoldcommandTellthatitssculptorwellthosepassionsread

Whichyetsurvive,stampedontheselifelessthings,Thehandthatmockedth

hepedestalthesewordsappear:`Mynam

eisOzymandias,KingofKings:Lookonmyworks,yemighty,anddespair!\'N

hedecayOfthatcolossalwreck,boundlessan

dbare,Theloneandlevelsandsstretchfaraway\".

“Ozymandias”isasonnet,afourteen-linepoemmeteredin望月 iambicpentamet

er:x/x/x/x/x史上最牛的一首诗 /

Imetatravellerfromanantiqueland

x/x/x/x/x/Whosaid:\"Twovastandtrunkles

slegsofstone

TherhymeschemeisABABACDCEDEFEF.

Thespeakerrecallshavingmetatraveller“fromanantiqueland,”whotoldhi

stlegsofstonestandwithoutabody,andnearth逢入京使古诗翻译及欣赏 emamassive,crumblingsto

neheadlies“halfsunk”vel塞上听吹笛高适的译文和赏析 lertoldthespeakerthatthefro

wnand“sneerofcoldcommand”onthestatue‟

sfaceindicatethatthesculptorunderstoodwellthepassionsofthestatue‟

ssubject,amanwhosneeredwithcontemptforthoseweakerthanhimself,y

etfedhispeoplebecauseof

somethinginhisheart(“Thehandthatmockedthemandtheheartthatfed”).

Onthepedestalofthestatueappearthewords:“MynameisOzymandias,kin

gofkings:/Lookonmyworks,yeMighty,anddespair!”Butaroundthedecayi

ngruinofthestatue,nothingremains,onlythe“loneandlevelsands,”whichs

tretchoutaroundit,faraway.

Framingthesonnetasastorytoldtothespeakerby“atravellerfroman

antiqueland”enablesShelleytoaddanotherlevelofobscuritytoOzymandias

‟

spositionwithregardtothereader—ratherthanseeingthestatuewithourow

neyes,sotospeak,wehearaboutitfromsomeonewhoheardaboutitfroms

eancientkingisrenderedevenless

commanding;thedistancingofthenarrativeservestounderminehispowero

y‟

sdescriptionofthestatueworkstoreconstruct,gradually,thefigureofthe“kin

gofkings”:firstweseemerelythe“shatteredvisage,”(notehowitis\"shatter

ed\",amuch

strongerwordthanmerely\"broken\")thenthefaceitself,withits“frown/Andw

rinkledlipandsneerofcoldcommand”,theharshalliterativeCsof\"coldcom

mand\"reinforcingthepicture;thenweareintroducedtothefigureofthescul关于中秋节的古诗有哪些? p

tor,andareabletoimaginethelivingmansculptingthelivingking,whosefac

eworetheexpressionofthepassionsnowinferable;thenweareintroducedt

otheking‟

speopleintheline,“thehandthatmockedthemandtheheartthatfed.”Ther

eisanintriguingbalanceandparado筹字组词 xinthislinebetweenthe

gdomisnowimaginativelycomplete,andwe

areintroducedtotheextraordinary,pridefulboastoftheking:“Lookonmywo

rks,yeMighty,anddespair!”Withthat,thepoetdemolishesourimaginarypict

ureoftheking,andinterposescenturiesofruinbetweenitandus:“„Lookon

myworks,yeMighty,anddespair!

‟/hedecay/Ofthatcolossalwreck,boundl

essandbare,/Theloneandlevelsandsstretch

faraway.”Again,thehardconsonantsof\"colossalwreck,boundlessandbare

\"emphasizetheharshreality,andthisisfollowedbythealliterationandlongv

owelsof\"loneandlevelsands\"stretching\"faraway\",theopenvowelsounde

ndingthepoemanddisappearingintoeternity.

ButOzymandiassymbolizesnotonlypoliticalpower—thestatuecanbeamet

aphorfortheprideofallofhumanity,gnifica

ntthatallthatremainsofOzymandiasisaworkofartandagroupofwords;S

helleydemonstratesthatartandlanguagelongoutlasttheotherlegaciesofp

ower.

Ozymandias

“Ozymandias”describestheruinsofanancientstatueTheme:allisvanity

Irony:theinconsistencyofwhatissaidwiththereality(

y)3kindsofirony:dramatic,verbal,situational

gEgyptandtheSaharadesertThe

me

thearroganceandtransienceofpower

thepermanenceofrealartandemotionaltruththerelationshipbetweenartist

andsubjectStructure:Italiansonnet

rhyme:interlinksthe索然无味的意思 octavewiththesestet,bygraduallyreplacingoldrhymes

withnewonesintheformABABACDCEDEFEF.

sound:meterediniambicpentameterthepoemcanbedividedintotwoparts

Octave(thefirst8lines)—describesthefragmentsofasculpturethetravelers

eesonanancientruin

Sestet(thenext6lines)--goesfurthertorecordthewordsonthepedestaland

que--Irony

Theuseofironyinthispoem

ymadiassaid(\"MynameisOzymandias,kingofkings:Lookonmyw

orks,yemighty,anddespair!\")andwhatisleftbehindhim(Nothingbesiderem

ains.)\"themighty\"shoulddespair—not,asOzymandiasintended,becauset

heycanneverhopetoequalhisachievements,butbecausetheywillsharehi

s,thereisnoany“mig

hty”aroundhisstatuenow.

vivalofthepharaohnotbecauseofhisownpowers,butbythesculp

tor’shandthatmadehissculpture.

criptionofthedesert—“boundlessandbare”Althoughthesculpture

is“vastandcolossal,”afterbeingputintosuchalargespaceastheSaharad

esert,itwouldbeseenasasmallthingbycompare.

TheissueofArt

TheattitudetowardArtexpressedinthispoem:

ThedecayofthesculptureshowsthatOzymandiasobviouslyloseshispower

andsubject:Ozymandias’passionsurvivedbythesculp

tor’

Thespeakermeetsatravelerfroman“antiqueland”whodescribestheruinsf

oundinthedesertwrinkledlipandsneerofcoldcommand

Tellthatitssculptorwellthosepassionsread--thefrownand\"sneerofcoldco

mmand\"onthestatue\'sfaceindicatethatthesculptorunderstoodwellthepas

sionsofthestatue\'ssubject,amanwhosneeredwithcontemptforthosewea

kerthanhimself,y我言秋日胜春朝拼音 etfedhispeoplebecauseofsomethinginhisheart(\"Theha

ndthatmockedthemandtheheartthatfed\").

survive—atransitiveverb—line6-8meanthatthosepassions(arroganceand

sneer)havesurvived

(outlived)boththesculptor(whosehandmockedthosepassionsbystamping

themsowellonthestatue)andthepharaoh(whoseheartfedthosepassions

inthefirstplace).mocked战国时期七国分布图 —withdoublemeaning:

＊tocreate/fashionanimitationofreality;toimitate

＊

toridicule(InShelley\'sday,thelattermeaningwaspredominant;butinthesp

ecificcontextof\"thehandthatmock\'dthem\",wecanreadboth\"thehandthat

craftedthem\"and\"thehandthatridiculedthem\".)

SestetMessageonthepedestalIrony

Themessageliveson,butthekingisdead

Themessageismeanttointimidate,butareweintimidatedbythedeadking?

IsOzymandiasstillthekingofkings?

HowwouldwedefinetheworksofOzymandias?DestroyedDecaying

FinalComments(12-14)

Thesandseemstobeinfinitewhilethe“colossalwreck”appearstobegarbag

esittinginthedesert